Turns out there's been a mix-up on Soundcloud. As well as adding a new feature 'Here's the Drop' today, a technical glitch has let to the mis-labelling of the recently uploaded Frank Catalano track 'Sona' as featuring the drumming of Jimmy Chamberlin.
It doesn't.
The track actually features the the skin caressing subtleties of Mike Byrne. Byrne, noted for his light touch and impeccable feel lightly propels the track to easy greatness.
Above - Mike listens back to his work on the track, whilst sugar-daddy Corgan looks on - unimpressed.
I've not directly addressed this topic before here, as I would imagine most of you who stick your head in or know me from elsewhere on the SP online community, pretty much get where I'm coming from when it comes to Mike Byrne. So no long winded explanation has ever been necessary - as posts by post and board by board we've done all of the talking. However, having recently been a part of the launch of a new SP fan page Absolutely Ground Breaking - a lot of attention has been drawn to my particular expression of feelings for the band. It seems many are still unable to reconcile the fact I'm still a fan of the band despite not liking Mike Byrne's drumming
Perhaps only the tip of my iceberg is visible eh... Or, perhaps people haven't actually really cared what I think. Which is COMPLETELY understandable. In the end I'm just some dude who likes JC enough to run an incredibly amateur blog.
I guess what has happened is that; amongst fans, whom I consider my friends here, my views and arguments have been refined over the years to the point where I don't feel the need to rehash the old arguments again and again. I'm not trying convert anyone, I gave that up long ago. So here, for posterity are the last four years of 'debate' -in a nut shell-.
The Basics
So, for those of you who don’t know me or don't get it [and are willing], I’d like to clear up a thing or two once and for all.Let’s start with the
basics; Yes, I think Jimmy Chamberlin is one of the greatest drummers
to ever grace the skins. He’s certainly the greatest modern rock drummer as far
as I’m concerned.He helped elevate the
Smashing Pumpkins to legendary status and for me the Pumpkins rate as one of
the greatest bands of all time.Secondly,
my appreciation of Jimmy’s playing in SP doesn’t
automatically preclude me from liking the Smashing Pumpkins without him in
them. Thirdly, I don’t currently like Mike
Byrne’s drumming in the Smashing Pumpkins. Not because “no one could ever be
good enough to replace Jimmy Chamberlin in the Smashing Pumpkins” or any other
bullshit reason thrown around. No, I don’t like Mike Byrne’s drumming in SP
because; it grates against everything I admire about any drummer or musician who
I respect or love.
What I rile against in Mike is
the apparent lack of understanding of the key reasons why the Smashing Pumpkins
are special to me; he apes the style
of Chamberlin, secondly he removes all subtlety and nuance from parts which he arguably
should be trying to emulate and he
continues (four years into his tenure) to make basic mistakes in a live setting.His playing appears to me be the antithesis of
what I admire in Chamberlin’s; Dedication, Musicianship, Facility and Originality.
Being a Fan of the Smashing Pumpkins (Still)
Now I understand (and what some
others seemingly fail to understand) that mylove of the band is based on a different
set of parameters to other people’s. You’re probably not bringing playing drums for
longer than Mike has been alive to your appreciation of the band for a start.The best way I can think of explaining this
to a non-drummer is to give a non-drumming example. So, why would I want to
look at a paint-by-numbers version of the Mona Lisa with a great big purple smudge
across her forehead, when for the past 20 years I’ve been studying and
appreciating each individual brushstroke on the original canvas so intensely that
they’d been etched across my synapses? That’s right, I wouldn’t.Now should you get, say, Picasso coming along
and reimagining the Mona Lisa – now that
I could at least respect and appreciate,
even if I didn’t like it.Think Adore
eh – but we can come back to that.Whilst
we’re on the old Art History trip, it’s why I am so vested in the archive project – to me hearing JC’s rough cuts would be like poring over Michelangelo’s
sketch books… Who wouldn't want to stay active in the community and want to try and help with this amazing project that means so much to them? I stick around because I care enough to sit through the bad times in anticipation of the good. Anyway, next:
Mike isn’t as good as Jimmy.Fact.No one is going to be able to argue successfully, as far as my knowledge
of drumming stretches,that Mike Bryne
in any shape or form plays Jimmy Chamberlin’s parts better than Jimmy.Most people get this, I think - now. But there are still people who think that
because it sounds right to them, that it should sound good to everybody.I don’t expect a non-drummer to pick up on
all of the nuances of Chamberlin’s drumming – as I wouldn’t with a saxophonist.But what I do struggle with is the really
obvious stuff where Bryne is stream-rollering parts or making even more basic
timing errors willy-nilly over a track and people think it sounds great.It’s incredibly frustrating.
Anyway, let’s go through a couple
of old issues to get to the heart of this... Here perhaps is the most common reoccurring theme;
The Matt Walker conundrum
Matt Walker did a better job of playing JC’s
parts than Byrne does - granted. However, this fact in itself does not make him a better drummer than Mike (many other things do mind you). But
here’s the important bit, so listen carefully > this doesn’t make me like Matt Walker more than Byrne.I do admire Matt’s technical proficiency more,
but this doesn’t mean I would choose him as a replacement for Chamberlin
either. I COMPLETELY get why 100’s of
others would have preferred him over Byrne, but I don’t cream over 1997’s Live
at The GM Palace bootleg. I just don't. It's a bit uncanny valley to me.
Originality
“Who wants to listen to somebody
trying to be Buddy Rich, when you can listen to Buddy Rich”?
For those comic book fans
remember when this shit started to happen in the early 90's;
Roger Cruz ripping of modern
master Joe Madureira yeah. You see - I love Mad, but I don’t like Cruz. Why?
Because Madureira’s style, whilst an amalgam of Manga-esque tropes, it is
uniquely his own.Now others would
follow in Madureira’s style [and you could argue he influenced a generation (as
did JC)] but those who went on to be successful after Madureira weren’t doing
so by making bad tracings of his work…
This is really the heart of the
matter for me, so what I suspect I am going to say right here, for the hundredth
time(but I hope the last) is: all I want to hear from the Smashing Pumpkin’s now,
in the future, with or without Jimmy is originality.
Look, most of you know I hated Adore when it came
out, I MEAN HATED – but at that time I was alongside 5 or 6 million other
people who needed the Smashing
Pumpkins to be band that put out SD and MCIS and not a pure electro-acoustic
outfit.But I look back now on that
record and have nothing but respect for Corgan making that move. I really love some of it now; Behold! The Night Mare, To Sheila, For Martha – they are up there on my list of Corgans greatest.
[It’s sad that the Pumpkin’s change in
style opened the door for a bunch of imitators who sprung up to fill the gap
that the disappearance of the [Rock band] SP left in its wake … but so it goes
and I digress, as per.] My point, with Teargarden / Oceania is that now I know
that it’s EXTREMELY unlikely (not impossible) that I will ever look back on
these recordings with the respect I have for Adore.
Back to Matt Walker.So the [problem] with Matt, or should I say
Corgan’s problem with Matt was, seemingly, that he couldn’t or was reluctant to rip Jimmy’s
style when it came to creating original parts; Matt and Bill say it’s more or
less why he left when recording Adore, he was being pushed to replicate Jimmy’s
approach on new compositions.In Mike,
Billy has seemingly found someone who has yet to develop his own unique voice,
but had the facility to (in Corgan’s mind) to play like Chamberlin [well
enough] without feeling uneasy about it compromising his own style.If you
don’t have a name, reputation, style a voice of your own - you may well have nothing to lose and
everything to gain.
But here’s the rub I guess – Mike,
on Teargarden has well and truly fallen down the rabbit hole and gone on
someone else’s trip.He’s crossed an
artistic line for me.When he started in
SP he didn’t have the 8th notes going on every track, [he] wasn’t
panning his toms to mimic Jimmy’s unique configuration, he wasn’t using Jimmy’s
signature snare, he hadn’t started to pretty much copy some of Chamberlin’s
other parts in new compositions (the most obvious offender that springs to mind
is That’s the Way my Love Is |My Love is Winter, and The Fellowship has DIA all
over it).Adore didn’t work (for me) initially
because it was too much of a departure from the ‘classic’ SP sound– Oceania didn’t
work for the opposite reason.It’s a
safe, considered rehash of the tropes which were rife in the Pumpkins’ heyday.
It is a regression not progression or evolution – and that goes against
everything I loved about the
band.
Jimmy couldn’t commit to going
back on himself – hence the “you can’t fire me, I quit” type deal - or whatever it was.Chamberlin didn’t want to be
become an imitation of himself, but Billy for his artistic journey felt that he
needed to find someone who is (in a sense). Chamberlin was quite open in saying that he had
struggled to pick up the some of his old styling’s… he’d matured way beyond
BWBW, evolving as any great jazz drummer would.
The Guitarist and The Singer; A Parable
Still haven’t got it?I don’t blame you. I’m tyring to explain
myself in a blog. Not face to face. This internet business is complicated and
cruel.
Let me try and give you another of my favourite analogies I've used over the years
that I hope may explain my pain to you non-drummers and/or non-musicians.
So, imagine if Jeff stepped into
James’ shoes back in 2007, with a guitar that had 2 strings. Not only did the guitar only
have two stings, but Jeff decided he was going to play power chords IN EVERY
SONG.Further, even though he was only
playing power chords on a two string guitar, he played the wrong chords and not
in time with Billy.It would sound pretty bad right.So why is it different for drums? Well, I get
it a bit – it’s a bit more niche / the differences may not be as obvious as say;Billy staring to miss out random words, garble
the lyrics, started singing really fast or coming in the wrong place - but they are still there. Worse still if Belly tried to sing like, I don’t
know, Fred Durst.This might somewhat
hinder your enjoyment of the music right??? Think about if someone were to be
replace Billy, like say thingy-ma-bob did in Queen (Ed: Paul Rogers) – if he tried to sound exactly like Freddie Mercury it would be absolute kife. Right? Right! So imagine someone imitating Corgan in the band, it
would be fucking ridiculous – Jimmy’s voice on the drums to me is as
equally distinctive as Billy’s voice is to, well, everybody. Hearing someone else
trying to sing in that voice would be PAINFUL.
Personality
Wait. I am not a complete dickend (believe it or not). I’m sure Mike is lovely as a person.Well, actually I have no idea. Maybe he's a twat like Corgan supposedly is? I have no real
idea of what Jimmy Chamberlin is like either, aside from meeting him once or twice and
listening to/watching/reading interviews with him. So obviously I’m talking, again [if it wasn’t obvious by
now], about musical personality.I’ve
seen many folks across the SP boards fawn over Nicole’s bass playing – “ooh -
ahh you can really hear the difference she makes on Oceania”. Well, yes. Yes you
can. She doesn’t have the attack of Melissa or the root-note mastery of D’arcy
but Nicole definitely has her own groove – that whilst doesn’t make her an absolutely
outstanding bass player, but it is a noticeable voice within the line-up. Which is cool one way or another.
I would argue that Jeff’s
contribution is more difficult to pin-point. Whereas James absence I would suggest,
is definitely noticeable on Zeitgeist .Billy and Jimmy may by the 97%, but man that 3% makes a HELL of a difference
right. Now I’m not saying here that Jeff is bad, I
prefer James’s personality in his playing, whilst Jeff is undoubtedly much
better technically… [Eek does that mean you’re going to rage at me for not
liking an aspect of Jeff’s playing as well?]
If you hadn't guessed, I think Mike adds very little of his own to the band. Modern Drummer's, to my mind, inconsistent critique of Byrne's playing on Oceania echo's my sentiments; "Hopefully as time goes on Byrne will find more and more ways to
establish as unique a style as Chamberlin did, and help take the band
itself into fresher territory."... blah
FAQ
Billy picked Mike [so you should like/respect/admire him.]Now, think very carefully about this
statement for just a minute… No. If you
haven’t got it yet - think for a bit longer.Billy picking Mike doesn’t excuse the mistakes Mike makes playing
live.Next you’ll be telling me I should
be buying in to Chemtrail theory and that Astral Planes is good, because Billy
said it is good right. Uwe Boll decided to destroy my favourite arcade shooter,
House of the Dead , by turning it
into a film– he said that it was good. Now your argument follows that I should like
it. Do I? No of course not. It’s shit. He’s wrong and so are you.
Mike can play other instruments/sing.I’m sorry, but this is absolutely irrelevant
to his drumming ability.Billy can play
the guitar really well, doesn’t
excuse his harmonica playing does it eh?
He's not skipping town going on drug binges. You have got to be
shitting me.This is Lame, irrelevant
and most importantly unverified.
He’s just a kid, go easy. Why? Have you looked on youtube recently, have
a look at the young drummer of the year competitions – they are amazing. Age is
not a valid excuse.
His headband is cool.No, no
it’s not.
He looks energetic.He needs
to work on his ergonomics… but he’s a show off yeah – a bit gimmicky to me -
but I get why some people find that appealing in a show/drummer.Jimmy’s zen like mastery is more appealing to
me.As for his raw youthful energy, sure
one day he’ll be adept enough to master it / it’s not that I don’t think he
might grow into it – it’s just painful to listen to him trying.
Mike has to play like Jimmy. To a degree yes he is forced to
through Billy’s choice.But the way in
which he interprets the parts is ugly to me.He seems to try and just copy them as best he can.I’ve covered this above, but listen to when
Jimmy plays versions of songs acoustically, or with a reduced kit – he doesn’t
try and play the lines exactly – he adapts to the version - he shifts in tune with how Corgan is emoting.Byrne doesn’t seem to be capable to adapt in
this manner – more his parts sounds noticeably forced or squeezed in purely as
a consequence of his ability, or lack thereof. Take Muzzle for example, it’s not
that Mike reinvents the part in his own voice; it’s that he tries to directly copy
many of Jimmy’s parts verbatim. But they sounding hollow, empty and contrived primarily
because he duplicating the parts but without the right equipment – but he lacks
the feel and facility which birthed the parts and were a natural extension of
Jimmy’s personality and relationship with Billy.What
I’m trying to say is Mike doesn’t sound like he is consciously trying to bring
his own style to the fills and lines, it just sounds as if he is playing it the way he is because he can’t achieve either
A) pure replication or B) adapt enough to bring something truly his own
to the table.
Who would be good enough to replace Jimmy?It’s REALLY not about naming names – for me
it would have been about finding someone who could have come to the band and
put their stamp on it – but I’m not Corgan – he OBVIOUSLY wanted someone to
come in and play like Chamberlin.I get
it – it doesn’t mean I have to like it. That argument (Billy says it's good, so it is) is some MEGA retarded
Monte-eqse shit right there.It doesn’t
mean I don’t understand Belly’s [predicament between the past and future]…
If you so good at drums, why you no audition for SP? Jimmy can’t be equalled or bettered. I’d love
to jam with Corgballs – but not to the old stuff unless he was willing to ‘reimagine’
it …
But Mike is a good/great/amazing/awesome drummer.I just can’t counter this amazing argument
you have put forward fellow fan.All I
can say back, is no, no he is not. The circle continues…
Check out this youtube video, Mike is epic. It is especially
difficult to open a dialogue when you have argued your point so succinctly by
linking some youtube vid in which Mike butchers (see above) old classics... be
it Hummer, Cherub Rock, Adore, Geek… The nail in the coffin, and what tips me
over the edge and is when you use a video in which Byrne demonstrates obvious mistakes
to try and prove your argument. As loud as he’s playing, as much as he bashes the
cymbals - this doesn’t make it or Mike good.Being able to play abit like
Jimmy doesn’t make him good.Using old
tracks as an example of why he’s good - will NEVER demonstrate his worth to me.
I like Mike because I do.I
totally respect that. That’s A OK. Seriously. I don't like him becuase you do. Just as you won't like him because I don't. Good. OK. We're clear.
Why do you hate everything Mike has done?Please.This talk in absolutes is like, you’ve not listened to a word I’ve said
for the past 4 years or something. Ha. I
don't hate everything Mike has done. His stuff in Bearcubbin' & Moses' was,
at least in parts, technically proficient - if not largely formulaic.I would hazard that I'm one of the very few SP
fans who has actually bothered to listen to them.Isn't it strange how someone who "hates
everything about Mike Byrne" has taken the time to sit and listen to his
back catalogue? It's sort of like, I
want to try find something to like about his drumming and how it marries with
his stuff in SP or something?Byrne is a reasonable drummer.He
demonstrates, at times, some high levels of technical proficiency [I do like
moments of some of his wanky stuff in his [side-projects] but unfortunately it
is totally incongruent with anything he has done in SP … and still if you stood
this next to 5 other bands of the same ilk, it is frankly unremarkable.]But going back to SP, his moments of half decent
drumming are crowded and literally drowned out by his overall heavy handed
approach, immaturity, repetition and unoriginality in that setting.
Give him a chance – I’ve heard this for four years now.I want the
best music from the best band in the world.I do not want to listen to someone figuring out what their style is by
butchering songs which I love.In SP - I want to
hear fully realised expressions of artistic intent – I want to be awed by
masters of their art and craft.I don’t
want to hear someone playing covers badly.On the other hand, I will accept there has been some improvement – yet he has demonstrated far less growth than I
hoped.Certainly I haven’t seen anything
like the leap from Gish to Siamese Dream in drumming terms...
Why do you keep going on about it? The reason I keep expressing it
is that I have avain hope that by
holding it, it will at least make people think about the fact that Smashing
Pumpkins are important to peoplefor different
reasons, and that whilst these reasons may not be compatible with their own,
they are valid.It took Corgan a while
to come to some sort of peace with this [problem of the old and new], I hope
that in time it doesn’t have to be as black and white for some of his fans.
Lol it’s like liking Jimmy will get him back in the band.1. I don’t believe Jimmy will ever want to
return. 2.I’m not foolish enough to
think that my opinion is going to change another fans opinion on anything - let
alone Corgan’s.Listen carefully, I don’t want you to change your mind –
I just want to make you think that other opinions are ok. Even for second. I want to hear SP3 make a great record I
can enjoy, I want them to be successful, I want Mike to be a great drummer / I
want a great drummer in SP who can take the band on a more interesting musical
journey [to me] than what they are on now and help secure their legacy, not
ruin it… Strangely I would like to hear
more bands making more music that I enjoy. Odd that.
If you saw the band live, you would think different. No I wouldn't. I've heard/seen enough bootlegs to not want to listen to one again. If the band only played new material I'd absolutely consider going. Not just at the moment on Teargarden-era stuff, it's not strong enough. Maybe in a couple of years if they do a tour or play a show in which they guarantee they won't play old stuff - I'll go for sure.
But Jimmy said "I think Mike is perfect for what Billy is doing now" (1) Jimmy has chosen not to do what Billy is doing so, yeah... read between the lines huh (2) As with Billy saying something is good; therefore I must like it - is ridiculous. The same applies to Jimmy.
Mike is a solid drummer - No, he isn't. I can point to a whole host of videos in which Mike makes mistakes. A solid drummer isn't Mike. If you said he is extravagant or over exuberant - fine. I ain't arguing. But having a simplistic approach doesn't necessarily equate to being solid.
I like Byrne's style. Look, I'm sorry -I'm not trying to be difficult, but until you expand on this we're not going to come to any resolution. If you like that he sounds a bit like Jimmy Chamberlin. Fine, just say it. But this statement in itself does not an argument make. All I ask is that you explain what Mike's own unique and special style is - drummer to drummer - as I just don't hear what he's doing in the band that makes him so special.
The Mystery Machine
So lastly, here they are. Here are
the 100 Billion dollar questions.Question’s
which have remained unanswered for a very long time:
Are
you a drummer and do you like Mike Byrne?
If you are and do; Why?
Are you
able to articulate what Mike Byrne's unique style is?
What do you like really
about Byrne and his interpretation of Jimmy's parts? What about his 'original'
work on Teargarden & Oceania - how does this marry with his work on his
side-projects?
How does simplifying Jimmy's parts improve them?
Seriously I
want to hear from someone who really likes him as drummer - I would be absolutely fascinated. Write to me
here on The Machine Somehow, AGB, the Oboard, the podcast comments of HU, lurking
around Netphoria... I just want to find one person.
TLDNR
If you didn’t bother to
read / you still don’t get it -I’m a
fan of the Smashing Pumpkins.Being a
fan doesn’t mean I have to like everything they do, with or without Jimmy
Chamberlin.I value originality and the
Artist. I like Jimmy. I don’t like Mike emulating Jimmy. I want SP to make kick-ass music. I don’t care who is
doing it that much, as long as it’s not shit.Because you like Mike doesn’t make me hate you. I’m sad that not liking
Mike's drumming very much makes you not like me.So, when I say Mike sucks - I mean neither him, you or anyone any offence. I just don't like it. But I'm glad you do.
If you
choose to take one thing away from this, let it be this; being a real negative, cock-sucking, ass-hole, untrue fan, mother fucking lame-o,
douchebag troll comes straight from the heart.
This is the last time I'm talking about this. I'm bored. So, undoubtedly, are you.
Good night.
[p.s. Sorry for any monte spelling and grammar, I know it's a bit messy - but hey. It's four years worth of nonsense. Give a guy a break...] Ed: 00:42 - be nice drevpile
