Added one or two bits and pieces here, for the canny eyed amongst you. Grab um before SOPA (mk2) gets um for no good reason. Oh, and if you have any requests or shows I don't have - give us a shout down below - or on twitter or such like. Cheers.
Hey, thanks....I remember paying for the Sony Connect sessions when it came out, and it being super complicated to buy, download, and play, due to some weird proprietary copyright and media type. Good to be able to have these again.
Drev, not sure if this is worthy of a new topic, but there are a few choice tidbits in BC's recent Mojo interview....
* You were playing with James and D'arcy but the arrival of Jimmy Chamberlin changed everything. How?
When Jimmy joined the band we were playing a lot of kind of Cure type songs, very simple beats. Right away I could tell it was almost like he was playing dumb. We had one heavyish song and he was playing it without breaking sweat when any other drummer would have been huffing and puffing, so it wasn't too long before we sold our Jazz Chorus amps – which were the alternative amp of choice – and we got Marshall half-stacks. The louder we played, the louder he played. He was always one step ahead of us. There was nothing Jimmy couldn't do. Jimmy is an incredible emotional interpreter of the song, He would bring these emotional swells, almost like an orchestral swish, to what we were doing.
* In 2001 you and Jimmy formed Zwan with Matt Sweeney (Chavez), Dave Pajo (Slint/Sterolab) and Paz Lenchantin. What were you trying to achieve?
Jimmy and I had held this myth that if James and D'arcy had been better musicians the Pumpkins would have been bigger. So Zwan was an attempt at getting better musicians. It wasn't designed to be grandiose like the pumpkins, it was the opposite – let's have some fun, let's make a really good record with people we like. We went to Key West and rented a house. WE would sit on the front porch and write songs and play all this kind of groovy stuff. Then, when it got serious the whole thing started to blow up and it was like "Oh my god, I am in the same nightmare again." It was the classic thing where you get out of a bad relationship and you think, "I am never going to do that again," and you go out and get the same kind of girlfriend but worse. That's what I did.
Hey, thanks....I remember paying for the Sony Connect sessions when it came out, and it being super complicated to buy, download, and play, due to some weird proprietary copyright and media type. Good to be able to have these again.
ReplyDeleteDrev, not sure if this is worthy of a new topic, but there are a few choice tidbits in BC's recent Mojo interview....
ReplyDelete* You were playing with James and D'arcy but the arrival of Jimmy Chamberlin changed everything. How?
When Jimmy joined the band we were playing a lot of kind of Cure type songs, very simple beats. Right away I could tell it was almost like he was playing dumb. We had one heavyish song and he was playing it without breaking sweat when any other drummer would have been huffing and puffing, so it wasn't too long before we sold our Jazz Chorus amps – which were the alternative amp of choice – and we got Marshall half-stacks. The louder we played, the louder he played. He was always one step ahead of us. There was nothing Jimmy couldn't do. Jimmy is an incredible emotional interpreter of the song, He would bring these emotional swells, almost like an orchestral swish, to what we were doing.
* In 2001 you and Jimmy formed Zwan with Matt Sweeney (Chavez), Dave Pajo (Slint/Sterolab) and Paz Lenchantin. What were you trying to achieve?
Jimmy and I had held this myth that if James and D'arcy had been better musicians the Pumpkins would have been bigger. So Zwan was an attempt at getting better musicians. It wasn't designed to be grandiose like the pumpkins, it was the opposite – let's have some fun, let's make a really good record with people we like. We went to Key West and rented a house. WE would sit on the front porch and write songs and play all this kind of groovy stuff. Then, when it got serious the whole thing started to blow up and it was like "Oh my god, I am in the same nightmare again." It was the classic thing where you get out of a bad relationship and you think, "I am never going to do that again," and you go out and get the same kind of girlfriend but worse. That's what I did.