Friday 4 May 2012

Jimmy Chamberlin on Butch Vig (Rhythm Magazine)

June issue of Rhythm on sale now | Rhythm | MusicRadar.com

Butch Vig talks hitting the studio with Nirvana, Smashing Pumpkins, Foo Fighters, Green Day, Muse and more. The studio wizard also discusses getting back into the saddle with Garbage, mixing acoustic and electronic drums live and how working with Grohl, Hawkins, Cool and co has influenced his own playing. PLUS: Jimmy Chamberlin, Josh Morgan and Taylor Hawkins talk working with Butch.

Tuesday 1 May 2012

Talking of Polls...


 Treble runs a feature on their collective 50 favourite drummers, of course, JC is right up there;
... [Chamberlin's] roots are in Buddy Rich and Deep Purple, and that his neurotic, gunslinging style is considered semi-revolutionary among rock drummers for its reliance on jazz-style riffs. His most varied work was on the titanic of nineties avant-rock, Mellon Collie & The Infinite Sadness, famous for its excess but scattered with off-chart gems like "Thru The Eyes Of Ruby," which perfects the Chamberlin snare sound  and "Galapagos," a piece of stormy minimalism which Chamberlin has identified as one of his favorite Pumpkins moments...
The band as it then existed crashed on the rocks, of course... but at the peak of the Pumpkins, no one brought the thunder more regularly — no one in the entire world.

Offical Lucky 13 - Archive Project Poll

Do it: https://www.surveymonkey.com/s/TheLucky13Survey1

Monday 16 April 2012

Not that I tend to keep track of these kind of things...

... but Jimmy's show-case for DW drums, released around 10 months ago, just hit 100,000 views on YouTube.  Congrats JC.  If you haven't already seen it, enjoy;



Its somewhat eclipses the view count for the last official release from the Smashing Pumpkins', from 8 months ago, Owata (music video version) sits at 27,000... :O

Friday 13 April 2012

The "Lucky" 13 - SMASHING PUMPKINS ARCHIVE UPDATE

"Billy Corgan of The Smashing Pumpkins has commissioned an intermediary team for the purpose of recommending upcoming Smashing Pumpkins Record Club (SPRC) releases. In conjunction with fan input, “The Lucky 13” team will review archival material, identify possible pricing models, and propose methods and formats of distribution for selected audio and video releases.
The scope of archival material currently under consideration includes professionally taped or filmed live shows, soundboard recordings, unreleased songs, demos and alternate takes.
Fan input is essential to this project. Here are three ways fans can contribute:
  1. Email recommendations to TheLucky13Team@gmail.com
  2. Share suggestions on your preferred Smashing Pumpkins messageboard. Members of the team will be monitoring designated “The Lucky 13” threads to gather fan input
  3. “Like” the “The Lucky 13” Facebook page and leave comments"
 _________________________________________________________________________


Well, despite not believing this will make a shred of difference, here's my two penneths worth
  • 1) Rename 'The Lucky 13' immediately. It already feels non-inclusive
  • 2) Be transparent; reveal who this team are. If people get even the faintest whiff of a rat, this isn't going to work
  • 3) Score an early win - release the damn Metro Show
  • 4) [a] Consult the fans who know, who really know, the history and availability of current bootlegs/material
  • 4) [b] DO NOT UNDER ANY CIRCUMSTANCE EXCLUDE Netphoria or any other long standing message board; speak to at least CoolAsIceCream, 34, Redbull, Spaldz and PistolPete
  • 5) [a] Do not, DO NOT, bandy about pricing, release models, packaging or anything else for a product which does not exist. Seriously, I repeat, do not do this again
  • 5) [b] If a real archivist has been at work, seriously, if you had a real archivist on this project - listen carefully and; release the catalogue for the fans to understand what the base library actually is. Make it easy for them to understand; apportion said library into sections by era and media. Then rate, with examples, quality of said media in it's raw format.
  • 5 [c] Define your objectives (is this about releasing quality or quantity). This will help inform said fans what sort of pricing structure they may wish to consider for said material
  • 6 Stop being vague. Stop it. Seriously
  • 7) [a]Thus, again, create Samples
  • 7) [b] and create direct feedback model against said samples ie; polls
  • 8) Do not release anything post 2008
  • 9) Do not listen to ANYONE who touts GM Palace 1997 as there favourite boot
  • 10) Do not listen to ANYONE who touts post 2008 material as superior, in any shape or form, to any previous work. Even Blinking with Fists
  • 11) Know your demographic: Listen very carefully, to this; your fans are not, in the main, idiots. Please stop treating us as such with running such an amateur outfit. You have already, once again, opened the flood gates for people to be disappointed that you haven't considered their own absolutely ground-breaking idea;  there is no way on this planet that you are going to be able to aggregate the multitude of vague recommendations / demands / ideas which will inevitably pop-up; the way in which you have [re-booted] this venture is, in my humble personal & professional opinion, a disaster. So start again, again. Make clear you vision and your values for the project, explain how and what you want to deliver and then and then open it up to consultation
  •  13) GET. IT. DONE. 

Anyway what say you JC fans? I'm sure I've missed a point or ten...