The Best Of Jimmy Chamberlin

Skysaw to make Cathedral Centrepiece of new Record

Well, it could be an EP - so say's Mike in a new interview with ROCK EDITION

Jimmy Chamberlin's Skysaw on JBTV

 
Next week yo (27/08/2011)

Chamberlin to Grace the Cover of DRUMHEAD Magazine

http://twitter.com/#!/Drumheadmag/status/100573914807271425

Skysaw - No One Can Tell - Video

For those of you who can watch, tis blocked here in the UK for some reason.

http://www.youtube.com/watch?v=U74gy_a4Bic

Skysaw 2011-07-02 Black Cat - Download

Right here. Cheers cabbage

Skysaw - Photostream

On Flicker.

Skysaw @Blackcat Review

Here

...the heavy songs really soared. They had as many as three guitars going at times, but two of them alternated to keyboards (singer Mike Reina spending more time there). I heard a lot of heavy King Crimson when they were rocking. I was thinking third album "Lizard" since the vocals reminded me of Gordon Haskell (one of the early of the revolving door vocalist/bassists). The synthesizer on top of the Yamaha even sounded a bit like a mellotron in one song. The very dense intriguing interplay between these solid musicians really stood out during the finer songs. When they really rocked, I even imagined Radio Birdman trying to cover Golden Earring's "Radar Love" sheet music after only hearing Golden Earring's "Twilight Zone".

The Swerve - Skysaw Live Review

Skysaw at Hard Rock Cafe - June 28, 2011

Moar...

...The highlight of the show was "Cathedral." Chamberlin and Anthony Pirog traded riffs throughout until Chamblerlin let loose with a solo that brought the audience to their feet with wild cheers encouraged by Mike Reina. Chamberlin is a musician first, and his skill allows him to forsake the theatrics of other drummers. The ease with which he plays most songs allows the audience to underestimate him until he lets loose with a solo of this caliber.

While it would be great to see Skysaw play Pittsburgh again, hopefully they will land a venue more appropriate for their talent and sound.

Videos from Jimmy Chamberlin's Skysaw Live

From the 28th June @ the Hard Rock Cafe 2011. Thanks to VastOceanCommuter

'Another' [...Be Specific] Interview with Jimmy Chamberlin

Over at the Washington Post thus;

...You're just going out on short tour. Are you thinking about a full tour later?
...There's lots of ways to put a band over these days. Doing it 200 people at a time doesn't make a lot of sense to me economically, spiritually and energetically. It doesn't add up to what it used to. You used to go out and play to a thousand people and look at [sales figures] the next day and see that 800 of those people went out and bought the record ….For me the idea of going out for two, three years to build a band in sweaty nightclubs, having done that for most of my life and being in my 40s now [is untenable]. It's not that I don't enjoy playing, but I think three good ideas are better than 50 shows ….Part of the reason I left my old band is because it was all encompassing, and I didn't have time for my family. It's just a different set of values.
When you say your old band, do you mean the Pumpkins or Zwan?
No — I was talking about the Pumpkins. Part of the reason that I left the Pumpkins is because it was becoming all-consuming. Being the only member of that band who had two kids and a wife, it was a hard decision, but ultimately it was a decision I'm comfortable with.

Was it hard to decompress from being a Pumpkin? There must have been a level of post-traumatic stress involved.
There was no post-traumatic stress, but there was a level of decompression. It took a while to be like, okay, I do have a family, I do have two kids and a wife. From the start of [Pumpkins album] “Zeitgeist” to the time I left, we had been full tilt for three years. When you have a four year-old son, that's 75% of his life...

 

Jimmy Chamberlin - Songwriter

Putting the Sophistication back into Society

Check out the full interview, over at Songwriters on Process,  right >here<

Selected morsels >below<

On Skysaw; With a song like "Sad Reasons" on this record, I sat down in my office and just played the song from start from start to finish on my guitar... It didn't involve a lot of process other than making myself available to what was going on around me. That song in particular was a telling exercise because I was interested in how it would change over time after I recorded it and again after I delivered it to the band.  But the first version I laid down in my studio in the basement is the one that made it to the record."

On Tonight Tonight; "...the muse can take many different forms. Ideally, the greatest gift it to be hand-delivered a song from the cosmos and have it be the version. Billy Corgan often writes the same way. Like with "Tonight Tonight," he said he just woke up one morning, went down to the piano, and played it. And much like with a lot of those drum parts that happened in the Pumpkins, the first time he played it for me, the drum part you hear is the first drum part I thought of."

On playing the guitar; "I'm not that sophisticated of a guitar player to be able to come up with ... the riff of the century."

On Tolkien, Thelonious Monk and Mark Twain; In the arranging and production of songs, when I'm building them from the chords up and putting layerings of production in a song, I want to feel like I'm building this Tolkienesque world of music that's available to people on many layers... Thelonius Monk was always good at playing something that on the surface appeared simple, but as you delved deeper you realized that the chord structure on which the melody was based was so complex.. The idea behind playing the drums is to play something simple enough so that people can rhythmically attach to it, but as an artist my job is also to satisfy myself with a sophistication that exists within the music.  Mark Twain invites you into his world with seeming simplicity, but once you get into his writing, you realize how complex it is.

 On Zeitgeist; When I was with the Pumpkins and we did  Zeitgeist, it had been almost seven years since we made the album before it.  So having to go and play that style of drumming again, I was often I was at loggerheads with myself because I was saying, "I don't really play like this anymore..."  It became difficult to mine that stuff from 1996 and relearn how to play like that.  It would be like writing in the style you did when you were a sophomore in college.  That would be difficult since you've moved on...

Again, go check out the full thing. It's rather insightful indeed.

Skysaw; Rehearsal, Backstage and Live Photos - Gallore!!!

Kiku, you are a star:

• Skysaw at JBTV. (Soundcheck)

• Skysaw at JBTV.

• Skysaw at Metro. (Soundcheck)

• Skysaw at Metro.

 

More Skysaw Rehersal Photos

Again, courtesy of Kiku - check them out here.

Day 1 shots here.

Skysaw at the Metro - June 25 2011

Will post reviews and pics, if and, when I find em.

Here's one to be going on with;

Interview with Jimmy Chamberlin - Dynasty Podcast

CVU86 - Jimmy Chamberlin by DYNASTY PODCASTS

In this, one of the last ever Local Q101 interviews (?), Chamberlin talks about the current state of the music industry, touring, the future of Skysaw and more.

Skysaw - Behind the Scenes...

My friend Kiku has posted some great behind the scenes shots of Skysaw rehearsing for, presumably, their appearance at JBTV and the record release show at the Metro. 

They are good

SKYSAW - Cathedral - Soundchecked for JBTV

http://www.twitvid.com/PW2JK

& a fan shot clip of "No One Can Tell" just popped up;



Update: The Set

Serrated
Am I Second
Sad Reasons
Great Civilizations
No One Can Tell
Tightrope Situation
All I Hear Is Snow
Nothing's Ever Easy
Capsized Jackknifed Crisis
Cathedral

Great Civilizations Reviews - Collected Here

I'll try and grab as many as I can, as they trickle in; hit up the comments if you see one I miss.

Cheers.

...Great Civilizations is rich with drum rolls that grab your attention, convicted guitar melodies and heart-felt lyrics. The whole album is an acclamation, a moving anthem. The tracks are arranged in a way that controls the mood; one song leading up to a frenzy the next turning the mood to a more reflective tone... >The Owl Magazine

...Chamberlin isn't able to play drums like it's 1995 (as he told this reviewer last Monday) but you'd be hard-pressed to convince listeners otherwise on album highlight "Capsized Jacknifed Crisis." His ridiculously fast but smooth stick work, and the pop rock behind this well-produced piece of work are pleasurable to listen to every time.... By the time you get through these 10 tracks, if you're like this writer, you'll appreciate and dig Chamberlin's new direction more than you thought you would and will definitely want to hear a follow-up to Great Civilizations, one of the more impressive debut records of 2011   >BlogCritics 

Skysaw’s debut album Great Civilizations is a tour of prog, arena, and quiet keyboard rock.  Pirog’s guitar hooks are fast and relentless; Chamberlin’s drums are tight and martial.  [Great Civilizations] reaches for the booming symphonies of Rush's Fly By Night or Moving Pictures. But only a handful of its 10 songs achieve those heights... One wishes Skysaw had included “Cathedral”, a seven-minute spectacle of shredded fury and ricocheting drum crashes the band has been playing at recent shows and one that could make Geddy Lee, Alex Lifeson, and Neil Peart envious. > Washington City Paper

...in this ten song set that proves immensely listenable from start to finish and actually scales higher peaks as it works its way forward...Great Civilizations does occasionally bow to its handle with some sweeping sentiment. Indeed, songs such as the effusive "No One Can Tell," a soaring "Nothing's Ever Easy," and the ever-insistent title track diminish any cause to quibble about Chamberlin's intent...Great Civilizations excels on its own merits, a damn fine debut due the kudos the press is bound to toss its way. > BLURT

...Skysaw struts through modern rock with the kind of confidence you'd expect from a musician as sharp as Chamberlin (the song "Capsized Jacknifed Crisis" evokes its title primarily because of Chamberlin's superbly wrecked drums), and there's a wonderful '60s delirium along the music's edges -- backwards guitars (guitarist Anthony Pirog) and woozy bass wobbles and MGMT-worthy psychedelic voices (vocalist Mike Reina). > Chicago Sun Times []

Skysaw seems to be great prog simply because they do not try so hard to be great prog. Instead, they walk that fine line between complexity and accessibility, pooling their impressive musicanship to craft melodic riffs and textures that have the momentum of a roller coaster. As a result, Great Civilizations is accessible enough to be worth checking out, and deep enough to be rewarding in the long term From the Pharmacy of Dr. Spin

Skysaw Stream Album on Eve of Record Release

Here